Period photograph of Prague's Old Town Square looking toward the Týn Church, cobblestones wet, few pedestrians, overcast sky
Prague · the whole life inside one district

Seven addresses, walkable in an afternoon

Birth, school, the family flats, the office, the small rented house he wrote in — nearly all of it within a few hundred metres of one square. This archive is filed the way the life was: by place.

Photo: Miloš Steklý / Pexels

The lead · Translating Kafka
One Sentence, Four English Versions

One Sentence, Four English Versions

Four translators face the same German sentence and come back with four different Gregor Samsas.

By the Kafka Garden editorsTranslating Kafka6 min read
Read the comparison
Endpapers

The leaves at the front and back of a bound book

Presses, translators' societies, and reading rooms whose shelves carry the same restless marginalia this archive has spent years tracing.

Front endpaper
Back endpaper · first leaf
Back endpaper · second leaf
Recently added · across the archive

New on the shelf

The Trial Was Never Finished
The Work The Trial Was Never Finished Examines what it means to read a novel that Kafka left without a final order — which chapters go where, and what the incompleteness does to Josef K.'s story. By the Kafka Garden editors5 min read
Old Town Square: The City He Walked Through Every Day
Prague Old Town Square: The City He Walked Through Every Day Describes the geography of central Prague that Kafka moved through — from family apartments to the insurance office to the cafés where the writers met — using contemporary accounts and his own diary entries. By the Kafka Garden editors7 min read
Burn Everything: The Instruction and What Happened to It
Afterlives Burn Everything: The Instruction and What Happened to It A careful account of Kafka's documented requests that his unpublished work be destroyed — what he wrote, to whom, when — and the documented sequence by which Brod instead prepared them for publication. By the Kafka Garden editors4 min read
The Word Kafka Used Was Not 'Insect'
Translating Kafka The Word Kafka Used Was Not 'Insect' Examines the German Ungeziefer — an unclean animal unfit for sacrifice, without a single English equivalent — and why every translation of Die Verwandlung is forced to make a decision Kafka himself refused to make. By the Kafka Garden editors2 min read
The Letter His Father Never Received
The Letters The Letter His Father Never Received Looks at the 'Brief an den Vater' — never sent, never seen by Hermann Kafka — as a text with its own formal properties, neither pure confession nor pure fiction. By the Kafka Garden editors3 min read
The City He Never Managed to Leave
Prague The City He Kept Trying to Leave Traces Kafka's repeated plans to move — Berlin, Palestine, elsewhere — against the fact of his staying, using the letters and diaries to show the tension without resolving it into a single explanation. By the Kafka Garden editors2 min read

Als Gregor Samsa eines Morgens aus unruhigen Träumen erwachte, fand er sich in seinem Bett zu einem ungeheueren Ungeziefer verwandelt.

Working English gloss, not a published translation: when Gregor Samsa woke one morning from uneasy dreams, he found himself in his bed transformed into a monstrous Ungeziefer.

Franz Kafka, Die Verwandlung, opening sentence · Kurt Wolff Verlag, 1915

The last word is the problem. Ungeziefer is a collective noun for vermin — an unclean creature, historically one unfit for sacrifice — and it names no species at all. Every English version of the book has had to decide something the German declines to decide.

The word Kafka used was not “insect” · One sentence, four English versions